As
some of you near-dozens of loyal readers know, I have had my issues with Canada ’s
capital city, but have mostly been won over by the monstrously cool rock n' roll
they are currently kicking out. One resentment lingers: they used their "freak weather" to try to kill
Cheap Trick!
Silly rabbit, tricks are for runaways |
There
is a shady bar near me (and not shady in a romantic way – someone was killed there a
couple of years ago by a stray bullet intended for the shooter’s brother) that features a tribute band
every Saturday night. Over the last few weeks the biggies have rolled in: U2,
Bryan Adams (face putty!) & Shania Twain imitators. I am putting off
checking it out until a worthy act rolls in – i.e. Bon Scott-era AC/DC or Thin
Lizzy - and I am certainly not holding out any hope that one of my my absolute faves
Cheap Trick will grace the plastic marquee any time soon. Yes, the real
trixters toured through town with Aerosmith last month and remain pretty
awesome, but in this economy the barroom imitation might be not only culturally
fascinating, but also more fiscally rational. Although Cheap Chicks would likely be killer, CT may be one of the toughest
famous bands to do dive bar justice in all of rock n roll.
Often
imitated in their heyday and in the years to come, Cheap Trick had the ultimate trump
card over all comers: an unparallelled lead singer (sorry, Enuff Z'nuff, The
Knack, The Shazam, Sloan, etc). Due to Robin Zander’s force of nature vox, Rick Neilsen
& crew’s showboat musicianship and pop hooks, Cheap Trick unlike many
influential bands, were never beaten at their own game. Power pop never got as
good as "Surrender", "Come On, Come On" &
"Southern Girls".
Now, yes you can say they were playing The Beatles
game in the first place but you can say that about every fucking rock n roll
band ever so don't say that.
Despite their commercial pop legacy, the Cheap
Trick of the first record had a nasty edge (their first single was about drug
addiction/suicide! HERE WE ARE POP WORLD, IT’S
ALL A CHEAP TRICK!) that became more playful and tongue in cheek as they
aged and found a commercial sweetspot. That spot eventually leaned toward sickly sweet, but I digress. Their signature early sound, sharpened the old fashioned
way - by playing a ton of gigs – sounded like a really pissed off Raspberries,
and their stage show, like Kiss, was way
arena ready by the time they got to Budokan.
Damone was right: they are one of a kind. I'll drink to that. |
Late
70's kids still wish they were Rick, Robin, Bun E. & Tom, it would appear. Adam
Schlesinger from Fountains of Wayne tried to conjure the magic of Cheap Trick
in a real band a couple of years ago called Tinted Windows. Despite the fact
that he put together a firecracker squad - casting he-all-grows-up Taylor
Hanson as Zander, a tasty riffer in James Iha of fellow Chicagoans
Smashing Pumpkins for the role of inimitable Nielsen and even enlisting
drummer Bun E. Carlos to appear as himself - it sorta fizzled and faded away.
Though they may yet get together to record a follow-up, it's okay to call Tinted Windows a one-off
project at this point, as they have mostly maintained (all too many) measures
of radio silence since the release of the self-titled debut in June 2009. The
album was pretty great: full of catchy, rocking songs like the driving,
leppard-spotted metal pop of "Get a Read on You", "Messing With
My Head" and sparkling raison d'être "Kind of a Girl" and sprinkled just
right with power ballads, led by "Dead Serious". But the ripple-less
effect of this album cannot be understated - it didn't get a ton of promotion,
they played few shows, they disappeared. Check it out, its cool and nobody takes a bullet slumming it for copy-rock!
I
will close off this post with a nod to fellow Illinoise makers Off Broadway's classic album On. They were contemporaries of Cheap
Trick and kicked out some gems like the full awesome "Full Moon Turn Your Head Around". Check it out!
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