Fact #1:
If you’ve ever been in a band and have poured your
guts, sweat, tears & money-you-never-had into
recording your music, it’s a lock that you've handed it off to people who never
bothered to listen to it. It’s
also a cinch that you looked up your favourite labels and learned up front that
they only wanted to hear from you if you
wanted to buy some merch and not at all if you wanted to send them your demo.
Fact #2:
If you’ve ever been in a band, you have poured your guts,
sweat, tears & money-you-never-had into
playing shows for less than 20 people.
Heartless Bastards "Arrow" |
In the face of empirical truths 1 & 2, the story of The Heartless Bastards should at least faintly inspire,
and infuse us with the very hope that yet a trickle of decent rock n roll will
endure. To their credit, they adhered to the golden rule in case #2 - Play your balls off for the dozen people who
show up! Story has it that among the few in attendance for one of their
free range early gigs was the gangly drummer from The Black Keys, Patrick Carney.
He dug them enough to pass their demo to the head nachos at Fat Possum Records and they were on their way to minor league prominence. Proof that although
labels will forever discourage renegade demo bombings, any time you plug in for
an audience, you might be running into a chance. Take a swing and don’t miss.
The Heartless Bastards started
out a Cleveland based roots/bluesy rock trio and have morphed into an Austin
based four-piece, winner-winner-classic-rock dinner. Their #4 plate is "Arrow": a
stripped down affair that conjures past heroes and yes, bastards, and almost
reaches its full potential. "Got to Have Rock n Roll" celebrates something I have long believed in - the medicinal benefits of dosing up on electric guitar & thump. Powerhouse singer Erika Wennerstrom leads her charges on a tour of rock, by way of the Iommi riffage on "Down in the Canyon", "Simple Feeling" a sped up take on The Beatles' "Tomorrow Never Knows" and "Late In The Night" sounds like Humble Pie! But the highlight of the album comes when they completely nail the coke baked soul of "Only For You". It's on this track where Spoon's Jim Eno wrings the best from THB by bringing the niche of his own band to the table - each instrument has the space to breathe in a simple groove and EW's voice carries you over the clouds that she sometimes clings too faithfully to. Good stuff.
The Nerves - they've got that seminal but under appreciated vibe down |
The Nerves were a three piece
California band that release an explosive 4-song single in 1976 and then promptly
imploded. This is no sad story as each of them went on to achieve moderate
commercial success with the bands they went on to form - Peter Case with The
Plimsouls, Paul Collins with The Beat and Jack Lee in the background as
songwriter for Blondie and other acts - but The Nerves clearly had some magical
unfinished business as evidenced by the excellent, but scruffy One Way Ticket collection from a
couple of years ago. Alive Records has tapped that twitch once more this month
with the release of The Plimsouls "Beach Town Confidential", a
The Plimsouls are now, as in '83, proof: "that techno-rock you listen to is gutless!" |
crackling live
set from '83 that captures a plum rock n roll act at their peak. Best known for
their stellar single "A Million Miles Away" (featured in the club scene
in the totally bitchin Valley Girl), these guys were no one-hit wonder. “Now”, “Magic
Touch”, “Oldest Story in the World” are all on par with "Miles" and the band hits
every mark here. Peter Case's Lennon-scuffed howl brings the desperation to
love songs like “Oldest Story” and a rowdy edge to burners like “How Long Will
it Take?” and the cover of The Creation's “Making Time”. Does a band that put
out 2 proper studio albums in their heyday warrant 3 live albums from that era?
In the case of The Plimsouls, yes. The 80s sucked for studio gloss and their
still-stellar Everywhere at Once had
a little too much of that plastic sheen on it (though not as damaged by 80s production as
some other great rock n roll records, including The Real Kids and The
Romantics). The live animal captured on BTC is just that – sweaty full kicks
rock n roll to a packed house. I will drink to that. Every time. Peter Case & Paul Collins
are doing some tour dates this year, playing Nerves, Plimsouls & Beat songs. This combo has written some killer tunes, see them if you can. BTC is available on iTunes, but
you won't get the pink vinyl, bitches!
- And finally, a couple of years ago the lovable losers from Anvil were subject of a great documentary and though we really wanted them to make it big, we didn't really want to listen to Anvil. Here comes a documentary about a failed metal band called Pentagram who were actually pretty good. It looks scary for the right reasons – cartoony devil stuff, evil sludgy music, bulging eyes – and unfortunately scary for the wrong reasons – heroin, crack, dying guys - but the trailer is awesome and you should watch it. It’s coming next month to select theatres.
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